This movie was terribly enough written that I almost walked out. I didn’t, because blockbuster marathon, but when it was over I was actually angry.
Why is the mother always crying? Why does the opening goodbye scene between the teenagers happen? And if is going to happen, then why have the teenage girl disappear never to return and the teenage boy act like a creep with every girl he sees? Is the point to make his character an asshole? And why does it matter that the parents, who are completely incidental to everything, might be getting a divorce? So we can think “poor, crying kid” at least once before the monsters start chasing them? Do we need that moment to make up for their nastiness toward the aunt who gave them a free, round-trip VIP visit to her park (because she’s not been around, /sadface)? And on and on and on.
That may all sound picky but its just lazy writing. Consider this: there is a helicopter kept on site but no pilot. Why can’t the company guy who is the only person ever to fly it just be a pilot rather than a trainee? I mean you’re making these people up, so just make him a pilot. Yes, you lose the lame joke about the tough female lead being scared when she’s in the air (hahahahahahaha, oh god, that was hilarious right?), but that deletion would probably improve the script by forcing the writers to imagine a legitimate exchange between her and her boss. And get this: nothing says that that exchange couldn’t be (wait for it) … legitimately funny.
My guess is that whoever created this script started from required moments and set pieces and then worked backwards, creating narrative bits that would stitch them together. Same with characters. That’s fine. I have nothing against that process, and when it’s done right, I have huge respect for it. (I love well-done genre pieces.) But in this case everything seems so lazily done that nothing (and no one) can withstand being thought about or considered for even a moment.
Just a terrible movie from start to finish.