Dec 272018
 

Today the Beav and I took the train into town to see the Alexander Calder show at the MBAM.

What struck me at the show, and what I’m posting photographs to try to show, is the way the curators lit the sculptures to highlight and specify the complexity in what could seem like folk art or fairly imposing abstractions.

Shadows as interpretive tool.
“Performing Seal” and it’s shadow

The show was comprehensive. In addition to the various mobiles, there were examples of juvenilia, early paintings, early wire sculptures, and an early silent documentary showing Calder in his Parisian studio making a wire portrait. There were also scale models of late, monumental works like “Three Discs” on l’île Saint-Hélène in Montreal.

Yet despite its scope, the show was also small enough to be manageable. The beauty of the objects wasn’t overwhelmed by the scale.

Self-portrait with sculpture and the Beav

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