Equals is a Gattica rehash insofar as it uses mid-century (read: old fashioned) modernism to represent a medicalized and bureaucratic dystopian future. Here though, the architecture is more central (and beautiful) and the love story is between seemingly younger characters. (The apparent youthfulness of the protagonists is important in the final act which cleverly cribs the last act of Romeo and Juliette.)
Although there are specifics to the story—it’s a postbellum world in which emotion (and so war) has been eliminated—these details don’t really matter because this is a love story about the allegorical possibilities blankness. Blank walls. Blank faces. Blank narratives. As a result, the movie is self-consciously “about” anything you read into it. Sexuality. AIDS. Depression. ADHD. The psycho-sociology of illness. I’m not sure any of this is very interesting and suspect that to the extent any of it is, it’s because the topic (rather than the movie) is interesting and that the movie therefore serves as a useful example or object for discussion.
As I watched I was caught up primarily in the acting. Blankness is hard to perform in film because, at it’s base, convincing cinematic performance involves creating a mildly blank expression that can be read by the spectator through projection. Yes, there are big scenes and “Moments” where the screen actor plays large and loud and broadcasts a feeling. But most of the time, actors underplay and merely suggest. Making the blankness that they normally use to create an effect visible as the effect itself is clearly difficult, and in the first act, I didn’t find Hoult and Stewart very engaging or convincing. However, once they are allowed to become people, they bloom (beneath the still blank surface of their faces) and things pick up .
As a side-note, Kristen Stewart playing blank and emotionally dull looked like Kristen Stewart playing Bella from the Twilight movies. When suddenly she began to play a person in love and happy, it was like watching a completely different actor. Seeing this film has convinced me she’s a real talent. I’m actually looking forward to seeing her in other movies now.