Reading it again for class this term, I enjoyed it more than I had in years and was struck by how much the novel explores the contours of an open secret and the damage done by what is not said.
No Man can be a Poet & a Book-Keeper at the same time.
This past week, the Beav and I went down to Concord, Massachusetts to see Walden, Emerson’s house, the Old Manse and the rest of the sites. It was an interesting trip but it made a problem involved in teaching these writers concrete for me.
I’ve read the Transcendentalists, most of them quite carefully, and I teach more than a few of their works. So I was interested in seeing Emerson’s study and Hawthorne’s writing desk, but I was also, as unromantic as it sounds, collecting photographs I could show my students, most of whom find these works quite difficult. Pictures of relevant places should, I thought, help them visualize what they are reading.
Concord also has many Revolutionary War historical sites. These hadn’t figured as I’d imagined the trip, yet they were what was most evident once we arrived. We toured them as well, and as we did, I noticed that historical sites were easier for people to appreciate than the literary ones. Everyone seemed to have at least a bit of the necessary historical context while people touring the Emerson house, for example, knew nothing but the name. This got me thinking about the difficulty of providing context to students for reading.
At a historical site, a guide can say “The militia turned back the British at this bridge, a first victory in the War of Independence,” and that is informative even if the listener knows nothing except that the US declared its independence from Britain. It also cues all kinds of imaginative processes–fuelled by memories of movies and television–that recreate the place in the mind and sentiments as a site of a battle. It’s exciting, even if you know nothing.
But in the study at the Old Manse, which is located just across that same bridge, when the guide points to a tiny ratchet desk beside the fireplace and says “Hawthorne wrote Mosses from the Old Manse here,” those with minimal context can do little but imagine a man sitting silently, his forehead close to the wall and his back to the windows and the other chairs. Without some sense of what is in that book, without having read it, the room is the site where, by design, nothing happened silently.
Which brings me back the pictures I took. I’ll show them, but I don’t think they will do very much to push my students beyond their difficulties with their reading. Thoreau’s cabin doesn’t exist. There’re some stone markers. The reproduction cabin is empty except for a bed, a stove and a desk. Emerson’s house looks like an old house. There is a grape arbor. Thoreau built it, just like he planted the original vegetable garden at the Old Manse. You can’t tell that from looking at it though because it’s just a garden.
In other words, my pictures are horribly boring and I suspect my students will look at them with the same blankness I saw on the faces around me on the various tours. That sounds like pessimism, but it’s really just me wondering what seeing Walden–and by that, I mean a picture of any lake as long as I call it Walden when showing it–what does seeing that picture do for a student reading Thoreau for the first time? A kind of magic needs to happen to illuminate the words and to bring them to life. Does seeing the place the author walked help?