A heist goes bad in the middle of a contested municipal election and all the thieves are killed. The ringleader’s wife discovers the money involved belonged to one of the candidates when he comes to threaten her with the standard, “Get me my money back in a month or else.” Using a notebook her husband left behind, she teams up with the other widows to steal the money they need to get back on their feet. What follows involves twists and turns: this is after all a heist film. But in the end, the widows get the money, and the bad guys get what’s coming to them.
What stands out about the film is that it is a woman’s heist film that shows actual women pulling off the heist. They are not women doing action-star drag. Neither are they playing (romance) comedy wrapped up in a heist narrative. Instead, the film asks, what would a burglary involving all the familiar generic obstacles and stakes but planned and executed by these women look like? How would they do it? What would they bring to the table to make it possible? How would the thing itself—the sneaking, the dealing with alarms, the flight and the chase—play out? It’s interesting to watch and opens up new aspects of the genre. I like this a lot.
What I like less—and this is hard for me to admit—is watching Viola Davis’s performance. She’s always created emotional depth and vibrancy in her characters and then presented these through a quiet, stoic exterior that reads as strength, goodness or nobility. Here though, her character has such a hard and abrasive exterior—at times her character seems purposefully mean-spirited—that it feels less like a layer complicating an emotional life than like a wall is separating me from it completely. Maybe I’m overreacting from seeing her play beside a post-Taken Liam Neeson or maybe it’s because of memories of How to Get Away with Murder, a show I tried to watch but could not and which reminds me of her character here. Whatever the case, my experience of her performance of this character was at odds with what I felt the film was pushing me to feel vis-à-vis the “good guy-tough guy” role she was playing within the narrative. Tough resonated. Good, not so much.