Jan 292019
 

A familiar classic that I watched on the fly the other night. It’s a Cold War paranoid fantasy perfect in both its conception and execution. This is not news.

What caught my attention throughout the film was—unexpectedly and disorientingly—Dana Wynter’s costumes, which are just great. She enters the movie in a beautiful sleeveless confection with a bodice that reminded me of tissue paper stuffed into a gift bag.

Why is she wearing this fancy affair mid-afternoon in this sleepy California town? But then she slips on the matching shrug jacket and everything makes sense. What had seemed like a provocation becomes a smart and snappy ensemble perfect for slipping into and out of this store and then that one. And there are so very many errands to run. Wynter however has the look of someone ready to tackle and to conquer her to-do list. With this much spunk, it’s no wonder Kevin McCarthy looks at her the way he does.

The least interesting of her dresses was a classic black number with gloves and a fur stole that she wore for the souper manqué in the second act. It’s beautiful but depressingly appropriate. Still, watching her walk away from a fresh martini to stare anxiously at a budding (haha) human form made me wish my sleepy Quebec town had a fancy restaurant so that the Beav and I could drop in for elegant nights out.

Scene from the 1956 movie Invasion of The Body Snatchers, starrring (L-R) King Donovan, Kevin McCarthy and Dana Wynter. Carolyn Jones is in the background. (Photo by Herbert Dorfman/Corbis via Getty Images)

Later Wynter wears a sweater tucked into a belted skirt, a look introduced to me by Olivia Newton-John singing “Summer Nights” in Grease. I fell in love with it then and have never recovered. Wynter considers this an outfit made for running from emotionless alien mobs. Excepting the heels and the hose, perhaps it is.

Wynter’s best outfit appears only briefly early on, and for reasons I cannot fathom, the Internet doesn’t care enough to have produced a single still of the scene. McCarthy has stayed the night and when he gets up Wynter is making breakfast in the kitchen. She cracks eggs at the stove for an omelette as they talk and is wearing a cowboy shirt tucked into high waisted jeans. It is pure butch play, casually done with cool disregard. The scene lasts only a minute but was the high point of my screening. If I can figure out how to pull a still from the iTunes movie I’ve purchased, I’ll post it. But for now, the outfit will remain undocumented. Alas.

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