Carson McCullers is interested in the feelings and the states of understanding of adolescents and other marginal people who are on the cusp of self discovery or transformation. She also writes in slow motion, capturing their subtle emotional variations and incremental changes in perception. She sets the tiniest stages of a thought in sharp relief. As a result, following her narration of a scene takes patience.
McCullers’s novel made me conscious of how—during important periods of my life, yes, but also in ordinary days and boring weeks, in conversations with others but also when I’m alone—my feelings operate as a process and develop through variation. Yet in memory, the process isn’t retained. I remember my feelings as nouns rather than verbs. McCullers’s novel reminded me of the busy work of feeling that I continue to forget and restored (at least for a moment) the complexity and significance of that work to my sense of the fleeting moments of daily life. (Aciman’s in Call Me by Your Name reminded me of this as well.)
Frankie, the novel’s young protagonist, is difficult and cantankerous. Yet everything about her bristles with life and enthusiasm: she is alive to herself and is working as hard as she can within her limited means to make the materials of her childhood into a Self. She’s fierce, takes risks and is playing for stakes, yet she remains open to being touched by others as she struggles to be different, elsewhere and better, three terms that to her are largely synonymous. How can you not be charmed by that?
Finally, it’s worth saying that McCullers’s diction here is a feat of strength. Without resorting to odd neologisms or showy deep-dives into the OED, she describes subtle difference of emotion and of setting while maintaining a consistent register of lanugage. If this novel were a painting it would be richly monochromatic. The effect is so seductive that, by the end, I found myself nostalgic for a Georgia summer heat I’d fled years ago because her description of it convinced me that I’d somehow missed its beauty. I hadn’t—I’m sure of that—but if you’ve ever endured that heat without air conditioning for any length of time, you can appreciate what a powerful spell McCullers must weave in order to make me think I had.