As far as heros go, it’s hard to find one more retiring than Reeves’s character here. Yet, the film moves. It assumes a world, introduces it in an economical voice-over, and then fills it in, scene-by-scene. The tightly driven narration reminds me of the best aspects of films like Total Recall, Krull and The Beastmaster, only better. So there’s something old fashioned here that has little to do with the costumes or the narrative’s source.
On another note, in films such as Speed and Johnny Mnemonic, Reeves’s choice of roles anticipated shifts in Hollywood taste. He’s done it enough that I take his genre films as fingers to the wind. So coming on the heels of The Man of Thai Chi, this film makes me wonder if Hollywood’s nursing a new Orientalism driven by Chinese efforts to push product back across the Pacific and into North American theatres.